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RECORDS REVIEW / RECOMMENDATION: The National - High Violet (2010) Roger Waters

Esperadísimo, muchos tenían fe en que este High Violet , el quinto álbum de estudio de la banda de Ohio afincanda en Nueva York The National , fuera como un paso adelante hacia algo más, pero sinceramente no les hacía falta ya que el paso ya lo habían given some time. His latest album Boxer and was a fist on the table back in 2007 and makes 1 añito had a good dose of EP as we made very satisfied with the launch of The Virginia EP . This High Violet has been the confirmation that The National are one of the best bands (if not the best) of the indie scene of the moment and are in an extraordinary way, but we can say that global does not reach dimensions of roundness who arrived in the Boxer . Yet the end result is extraordinary and touches the label of masterpiece. Overcoming the

Boxer is very, very difficult, a perfect record that none of the issues weakens. In this High Violet find better topics Terrible Love, Afraid Of Everyone , Ohio Blodbuzz , England or Runaway and any other " grower " very interesting, but other than loose enough and remain fairly global and leaves the album somewhat lame as Anyone's Ghost or lesser extent and Lemonworld Vanderlyle Crybaby Geeks. Is still a remarkable album, essential and quite sure that will be among the best of the year and maybe of the decade. Many have criticized that no Change remarkable sound and style, why not short but frankly I see no need to change anywhere because boxes are not at all. With a sound and style completely consolidated, own, personal, nontransferable, fully adult and impeccably perhaps have shifted more epic songs. What is not in doubt and perhaps the good news of the disc is the extraordinary work of Bryan Davendorf to the battery.

Some will qualify from boring (her melancholy solemnity and darkness of some of her influences) and weirdos (the image of current indie kings has not sat well with some), others will say that the voice of lead singer Matt Berninger is completely flat and seems to grudging in some issues, but I say to them please show me a group with the ability composition of these guys ... but we will keep waiting because they always come back with empty hands. Anyway, holy melancholy ...


rehearsing songs for this High Violet :

1. Terrible Love : spectacular and epic crescendo just bursting with powerful percussion and great vocal harmonies. Temazo to type in the album version sounds quite strange and distorted, lo-fi very .
2. Sorrow : a "grower "That base of listeners grows and grows to end up becoming one of the best tracks on the album. Mysterious and dark, the dark air at all detract from beauty.
3. Anyone's Ghost : the most Light of the album, no is a bad topic but out of tune enough with the proper level of rest. Totally flat, all the attention is for the bass and drums rhythmically.
4. Little Faith : its first few seconds make us think we are hearing Today's Lesson of Nick Cave & The Bad Seeds , but it is a mirage because what follows is a beautiful and peaceful song house brand of The National, one of those big mediostiempos only they dialed. Other " grower " becomes imperative.
5. Everyone Afraid Of : the best song on the album and probably the best that The National has made throughout his career with Lucky You. Addictive, mysterious, a disturbing and creepy intro with vocal harmonies is the prelude to an issue where a good rhythm and rhythmic percussion, acoustic guitar, organ, keyboards, wind ensemble and distorted guitar makes it a marvel.
6. Ohio Blodbuzz : Another wonderful as Afraid Of Everyone , but much brighter and epic. Again, the percussion and distorted guitar gain prominence, along with effective piano melody and the help of a set of wind. The 2nd best song on the album, is very close to Afraid Of Everyone .
7. Lemonworld : it is not the best of the album, but is salvageable. Quiet, dark theme in Matt Berninger sings in that tone which some find so tedious. Serves as a hinge between the 2 outstanding issues above and the no less brilliant 3 below.
8. Runaway : quiet but epic theme, minimalist, beautiful, melnacólico, emotional, slashing the adjective undoubtedly great. When it enters its final burst of wind set is spectacular. Matt Berninger demonstrates here his voice on issues emotional given a special plus.
9. Conversation 16 : Runaway after the thing or rather encouraged by the window seems to go much more light. Another great subject on which evidence a spectacular job in battery Bryan Devendorf, and that a great conjunction of atmospheric sound of the organ, background vocal harmonies and those guitars are distorted the tone of the album make it a awesome cut.
10. England: Following the epic tone and quiet Runaway , this issue takes us mentally and evokes a journey through some notes for violin and piano, distorted guitar to later give a solemn epic tone but also with all the winds. Frankly beautiful, with a spectacular finale.
11. Crybaby Geeks Vanderlyle : sorry, but for me to end this great album with this " nana" is a mistake and more seeing that England was a perfect ending. It is not a minor matter, even the vocal work is outstanding and to acknowledge and accept that is a nice theme, but it is not my cup of tea, lastly matter of taste.

FINAL NOTE: 9'25.


Listen "High Violet" by The National in Spotify.


Terrible Love (live for Pitchfork session )



Afraid Of Everyone (live on David Letterman's show)

Ohio Blodbuzz





Runaway (live at a session of Q TV)

Why Does My Sperm Smell Of Fish

revive in 2011 the legendary album The Wall

If you of those who think Pink Floyd is the best group in the history of music, you're in luck. Although Pink Floyd is now officially broken up many years ago as a band and more after the sad death of keyboardist Rick Wright it vanished all hope however remote a meeting "all for the money" that both are hot now most controversial leader Roger Waters back together a dream band to play to complete the legendary double album The Wall , a rock opera that removed the musical basics back in 1979.

Some believe that this is just a minor revival, but those we were lucky enough to revive the no less mythical The Dark Side Of The Moon also by Roger Waters and his band in 2007, we can ensure that if you're a fan of Pink Floyd or just a lover of good music is not going to let indifferent. I lived through the April 21, 2007 at the Palau Sant Jordi was simply unforgettable, and it was almost like seeing live the legendary Pink Floyd with Roger Waters at the front and with a backing band really impressive.

But we will not only revive a mythical themes musically amazing, but the scenery is not going to be left behind. For this occasion a part of a surround sound brutal as we live in 2007 (I can vouch that it was the best sound I've ever heard in a concert), will be built in real time on stage and a wall 73 meters wide by 10 high as it did in the mythical 1980 and 1981 tour. But not only relive mythic themes of The Wall as Mother , In The Flesh? , Another Brick In The Wall , Hey You, Comfortably Numb or Run Like Hell among others, but also probably almost 3 hour live show that will review other issues legendary Pink Floyd and some brief foray into solo pieces by Roger Waters.

But what is really going to importantly, the appointment will be in March 2011, the March 25 at the Palacio de los Deportes de Madrid and March 29 at the Palau Sant Jordi in Barcelona . Apuntároslo in your diaries, ticket sales will start on Monday June 21 from 10:00 am through Servicaixa . Prices are still a mystery, but honestly to revive such a wonder the price is less, if you like the music of course!


But if you still have doubts, stay with this interpretation of Numb Confortably on tour 2007:

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Chronicle Of Lesbian Love concert with ONCA in the Auditori de Sant Cugat 21/05/2010

Date: Friday, May 21, 2010. Place: Auditori de Sant Cugat (Sant Cugat del Vallès, Barcelona). Attendance: 800 people (sold-out). Admission: 19 euros.


recently said Santi Balmes (the lead singer of Love Of Lesbian) who were afraid of repeating on stage and become bored of doing the same thing, and hence was born the experiment that took shape in the Auditori Sant Cugat , playing his songs to the accompaniment of the ONCA (Clàssica d'Andorra National Orchestra) and give a focus different. This is nothing new to pop and rock bands play their songs with classical orchestras, but it is something interesting and surprising, although more than one also sees it as a delusion of grandeur, and not blame him. Personally I think it all was the party that closed a cycle ending with Love Of Lesbian having completed an excellent stage as a group with 3 discs in Castilian and have been fully consolidated.

The overall result was correct, almost excellent in some songs but the thing other weakens a bit, but after all understandable. Love Of Lesbian started cold and hesitant, the initial severity (Santi Balmes soon begin to rave) and the breathtaking scenery they narrowed, looking to play at half speed for fear (mutual by both parties) to eat the solemn sound of the ONCA. The public also does not help much starting to clap before they completed the items, eating some instrumental sections by the ONCA, although it is safe to say that attendance at the end of the concert was quite restrained.

closed With a setlist beforehand and it was already printed in the official program that was given to come in, looked like it would be all very graph and there is no room for surprises, but luckily it did not. The evening began with an emotional calm down and A day in the park that missed precious levels it reached at the Palau de la Música , to encourage a letter to all your disasters that did give the size and improved with orchestra, snow Fire (without orchestra) sounded too restrained by what is the song and the always beautiful Sunday Astromancer also lacked a point of emotion that itself was presumably to the accompaniment of the orchestra, in part by some rather questionable violin arrangements. But since then it seems that everything started to take off with the fantastic Where we used to shout (also not accompanied by the orchestra) in which public and went fully into the concert accompanied with clapping and coreándola.

Then began the largest portion of the concert with Clown Houston, we have a poem , which also lacked pace and something else (because they see them touching with their space suits and pretty cool thing), but The children of tomorrow rave thing and completely with Santi Balmes conducting the orchestra with a light sword " Jedai " in the funniest moment of the night to complement the already funny and politically incorrect lyrics of the song. The cabaret neighboring Arctic Marlene was fun but unfortunately also fell in half measures.

To finish the concert before the encore the stretch most emotional, most beautiful and best played at night. Second assault (without accompanying ONCA) was wonderful and proved to be a great song if it had been composed by any group to say that Anglo would have impact. The grand prize of the night was hearing the parable of the foolish finally live in perfect backdrop for his epic final with violins ONCA was perfect in justice to another great song amazing. Without lowering the piston also the beautiful ' 1999 ' improved with accompaniment of the orchestra as the great 2009, I will break the windows to your beautiful melody magnified the contribution of ONCA. Without doubt the best concert.

When it seemed that the penalty would be short encores and the 2 tracks announced at the program, scored a first round of encore with 3 tracks that were not provided and without the participation of ONCA. The big surprise was a beautiful version of the mostly unpublished Limousines only the piano and Daniel Ferrer choirs Julian Saldarriaga, frankly fantastic and very emotional. The beautiful family issues and to close followed Elevator Music made the entire audience loses respect for the breathtaking scenery and put on foot to dance and chant.

And by the end and there was no one to sit down. The last batch of encores could not start another song that was not the hymn Fan Club John Boy an absolute feast that even most of the audience left their seats for standing in front of the stage like a concert they were normal. By popular demand they had to interpret the iron you much fun (Story of a pea lover) , but which was also without its usual guise lost some of its grace. To end God for God is four continued and finished with a public holiday too crazy.

After a lengthy ovation and lots of family children of the band on stage, the happy faces were evident, but all with an aftertaste to cycle, after this summer we will complete all its scheduled performances go where shots, the feeling that things will pull the other way are apparent ... per eye as the saying goes, appearances can be deceiving. We'll see.

SETLIST:

1. A day in the park
2. Letter to all your disasters
3. Snow Fire
4. Sunday Astromancer
5. Where we used to shout
6. Houston, we have a poem
7. The children of tomorrow
8. Marlene, the neighboring Arctic
9. Second assault
10. The parable of the foolish
11. 1999
12. 2009, I will break the windows
------------------------------------------
------------- encore 1:
13. Limousines
14.
family matters 15. ----------------------------------------------
elevator music
--------- encore 2:
16. Fan Club for John Boy
17. I hurt you much (History of pea lover)
18. God for God is four